penfield: Dogs playing poker (Default)
"There's not a joy the world can give like that it takes away,
When the glow of early thought declines in feeling's dull decay;
'Tis not on youth's smooth cheek the blush alone, which fades so fast,
But the tender bloom of heart is gone, ere youth itself is past."
- Lord Byron


When I was but a young buck of 15 years old, my English teacher, Mrs. Nash, tried to teach me poetry. Of course, y the time I was 15, I had already been writing crappy poetry for a year -- the kind of rigidly maudlin stuff that now makes me cringe all the way down to my internal organs.

I'm sitting here with an notebook full of poems dated 1992 through 1997, and it's nothing less than horrifying. There's the pure ridiculousness of a 15-year old guy writing anything titled "I've Faced It All," and the shameless pandering of "The Ballad of Mr. Lonelyhearts," and the sheer creepiness of the faux-gothic "Please Come Sit by My Throne." If my mother hadn't been a pathologically supportive English teacher, I might still be in therapy.

But two of these poems now catch my eye, not because they are particularly profound or well-crafted but because together they serve as mile-markers in my life. And they bring me back to Mrs. Nash.

As an English assignment, she gave us the format for a poem, titled "I am," and told us to "finish" the open verse by completing each line.

The format was as follows:

I am ...
I wonder ...
I hear ...
I see ...
I want ...
I am [repeat first line]

I pretend ...
I feel ...
I touch ...
I worry ...
I cry ...
I am [repeat first line]

I understand ...
I say ...
I dream ...
I try ...
I hope ...
I am [repeat first line]



And because I always did my homework, this is what I came up with:

I am (January 1992)
I am a superstitious daydreamer
I wonder what exactly is in that "secret sauce"
I hear my conscience screaming into the intercom
I see clouds with silver linings
I want a love to call my own
I am a superstitious daydreamer

I pretend I'm performing in front of an audience
I feel the everyday pressure pushing me between rocks and hard places
I touch upon my soul with poetry
I worry about everything
I cry when I'm alone
I am a superstitious daydreamer

I understand I can't change the world, but
I say it's foolish not to try
I dream of a place where hatred is obsolete
I try to keep my balance in an off-centered world
I hope that all the world's lovers find each other
I am a superstitious daydreamer



What we have here is the picture of a naive, fatuous teenager, very typically straining against a lack of control over his life. Also he seems like kind of a weenie.

Fast forward four years, the summer after my freshman year of college. In August of that summer, I had my heart broken for the first time. ("Broken" is too kind a word, really. She ripped it from my chest, baked it for 20 minutes at 400 degrees and served it to me with a kick in the nuts. Good times.) Apropos of nothing -- perhaps I was simply feeling reflective -- I decided to write a sequel.

I am (August 1996)
I am a hopeless romantic
I wonder why people crash together and drift apart
I hear songs that tell my stories
I see the glass half-empty, and
I want more
I am a hopeless romantic

I pretend I know it all
I feel their eyes upon me
I touch joy when I make you laugh
I worry that nothing matters
I cry for you to hear me
I am a hopeless romantic

I understand that I am one in a million
I say we have to believe
I dream I am who I know I can be
I try to maintain balance
I hope that you have learned something about me
I am a hopeless romantic



Reading this now, it seems that I was all over the place emotionally and intellectually. But we can see that by this point I had turned from a self-obsessed adolescent to a socially integrated adolescent. There is a recurring theme of desiring love and belonging, indicative of a young man feeling like an insignificant fish in a big bad pond.

I think that I wrote another one in 2000, but I can't find it. I can't remember anything about what it might look like, but if it happened after Memorial Day (coincident with another heart souffle) I can imagine it might have been pretty bleak.

Eight years ago feels like fifty, and 16 years ago feels like a hundred. I don't know how all the math works, but I wanted to see what would happen if I tried it again today.


I am (December 2008)
I am particular
I wonder how it's all going to end
I hear you laughing
I see your mistakes
I want everything, but
I am particular

I pretend I'm not scared
I feel the time moving faster
I touch all the sensitive spots
I worry that it's never enough
I cry when I don't get my way, for
I am particular

I understand now what my parents were trying to tell me
I say "I love you" whenever I can
I dream of a life full of love
I try to do my part
I hope I do it well, because
I am particular



Gimmicky? Shadowy? Pointedly sentimental? Maybe a little flip? Yeah. But so am I, I guess.
penfield: Dogs playing poker (Default)
"The security of Society lies in custom and unconscious instinct, and the basis of the stability of Society, as a healthy organism, is the complete absence of any intelligence amongst its members."
- Oscar Wilde


Now that the economy is circling the toilet bowl, with the real estate market as toilet paper, interest rates are plummeting to historic lows. According to the Wall Street Journal, this theoretically makes for an ideal time to buy a home. Now all I have to worry about now is possibly losing my job, or falling seriously ill, or embarking on some other extravagantly expensive project like an engagement or a wedding or something.

After briefly flirting with the idea of moving westward, or southward, or elseward, J. and I have decided to stick around the Washington D.C. area for a while. And thus begins The Great House-Hunt of 2009. In advance of the actual shopping, we are performing our due dilligence by applying for mortgages with a variety of lenders.

This kind of endeavor, to say nothing of the actual purchase itself, requires a very thorough examination of one's personal finances. As they should, loan officers want a complete, high-definition picture of the applicant's worth, including: investment assets, liquid assets, solid assets, gaseous assets, god-given assets, livestock, stock options, preferred stock, shitty stock, pension plans, savings plans, health plans, career plans, career goals, career assists, MVP awards, outstanding debts, average debts, debit cards, credit cards, credit scores, partial credit, extra credit, extracurricular activities, co-curricular activities, educational transcripts, medical records, criminal records, The Police records, get-out-of-jail-free cards, one's current residence, prior residences, future residences, family planning, family history, U.S. history (specifically "The Gilded Age"), proof of American citizenship, passports, fingerprints, dental records, blood samples and any current and past medications. The rectal exam is optional, in lieu of the essay portion.

It's bad enough that this process forces me to actually look at all my equity investments -- For several months I had been consciously avoiding even sidelong glances at my retirement portfolio, which now looks like it has been carpet-bombed by the Germans -- but each of these little bits of information require me to enter my user ID and password.

Yesterday alone I had to retrieve five different user IDs and passwords. It was a real pain in the ass. And it doesn't even count the numerous logins I unconsciously complete every day for my e-mail, etc. There are logins for everything. Many of you are logged into this very Web site right now. At least I have an unusual last name -- I can't even imagine how difficult it is for someone named Pete Johnson or something, who must have to come up with weird IDs like "fluffernutterlovr12" or "p00p10rd&!"

Sometimes I think about inventing a service that would store all of a person's passwords so they would never have to remember them or write them down and leave them lying around the house. But of course, you would need to password-protect that site with a super-ultra password of its own, and you would have to make it 100% no-shit hacker-proof, and you would have to hire an ascetic Mormon samurai with Government Security Clearance just to safeguard the database. So it probably wouldn't work.

Instinctually my next desire would be for a global standardization of password protocols, so that I wouldn't have to make up 20 different passwords for 20 different sites, all of whom have different rules for length, symbols, number of alphanumeric characters, etc. (One site restricted me from repeating any character within the password; for example, "Tennessee911" would not have been allowed, even if it were backwards.) But, of course, then people would just use the same password for everything, blithely paving the way for identity theft and fascist world domination.

And at that point, it would just be expedient for us to have no passwords at all -- no firewalls, no phishing, no privacy. We'd go back to the honor system. Or maybe it goes all the way back to survival of the fittest. It's like an elegant amalgam of socialism and free-market philosophy.

Yeah, of course that doesn't make any sense. I don't want other people peeking at my 401(k) plan. Although I must admit, I like the idea of someone else absorbing the losses for a while.
penfield: Dogs playing poker (Default)
Arthur: I am your king!

Woman: Well I didn't vote for you!

Arthur: You don't vote for kings.

Woman: Well how'd you become king then?

Arthur: The Lady of the Lake, her arm clad in the purest shimmering samite held aloft Excalibur from the bosom of the water, signifying by divine providence that I, Arthur, was to carry Excalibur. THAT is why I am your king!

Dennis: Listen, strange women lyin' in ponds distributin' swords is no basis for a system of government! Supreme executive power derives from a mandate from the masses, not from some farcicial aquatic ceremony!
- Scene from Monty Python and the Holy Grail


The strangest thing about being engaged is not seeing my girlfriend with a ring on her finger, or referring to her as "my fiancee," or the sudden and unexpected importance of things like buttercream cake frosting.

It's all the attention. Being engaged is apparently a really big deal. I get the sense that getting engaged is a bigger deal, even, than getting married.

For example, when I announced my engagement at my office staff meeting on Monday morning*, not only were there audible oohs and ahhs, several of the women let out high-pitched shrieks, as if they had just been pronounced the next contestant on The Price is Right. After my initial surprise at all the noise, I felt a little insulted -- is it really so stunning that I was able to get someone to marry me?

*I did not really want to announce my engagement to my coworkers, seeing as it is none of their business, but I was ultimately convinced that withholding the information would be needlessly rude. Also, I figured, by announcing it to everyone at once, I would get it all over with rather than having to answer the same stupid questions one at a time as people caught wind of the news.

I find it hard to believe that when I stroll into the office as a married man, whenever that may be, I'll get much more than a tepid "congratulations," even if the actual marriage is a monumentally more significant development.

The act of "announcing" any personal milestone is fraught with protocol obstacles, booby-traps and no-win situations -- for both the announcer and his/her audience. This familiar dance begins with a presumption by the first party that the second party cares about their news. For example:

"Hi, Bob! Have I mentioned that I just had right testicle polished?"

The second party is then obliged to respond with compliments and congratulations.

"Gosh, Bill, that's great. I was going to mention that you looked more aerodynamic."

The first party then thanks the second party for their kind words.

"Thanks for noticing! Martha and I are just thrilled with the results so far. I'm going to have the left one done soon."

... at which point the second party can only ask follow-up questions.

"So, Bill, how did they do it? How long have you been planning it? Have you set a date?

It's not that I think this choreography is insincere. I believe that my friends and family are as happy for me as I would be for them. I just find the whole arrangement to be predictably rote and more than a little superficial.

So, from the beginning, I felt a little phony broadcasting the news of my engagement. I made a few sheepish phone calls, wrote some matter-of-fact e-mails and sort of backed into it in my journal entry. Again, I did so because I was assured that withholding the news would be unforgivably weird and impolite. Each time I felt a little like I was hanging a neon sign that said "CONGRATULATE ME" and half-hoping that nobody saw it.

But it's not really the volume of attention that I find so disconcerting. What's weird is my reaction to it, and J.'s reaction to it.

I, the perpetual attention whore, whose Web site (and, one could reasonably argue, my entire existence) is nothing less than a brazen self-advertisement, find myself retreating from the attention and clamor. All I want to do is reflect on this great emotional journey I'm going to take, but instead I'm stuck deflecting questions about bands-vs.-DJs.

Meanwhile, the normally shy and retiring J. is soaking up the adulation like a ShamWow!, flashing her new jewelry under the nose of anyone who isn't moving. This woman of mine, more girl than girly, suddenly has an interest in wedding dresses and tulle. It's the cutest thing I've ever seen, but it came out of nowhere.

Of course, this role-reversal could have something to do with the procedural facts of our engagement. Because I had decided to propose a good two months before I actually did so, I had a lot more time to get used to the idea. And not only that, I had to spend all that time suppressing my excitement and keeping it to myself.

Conversely, J. is in the full blush of euphoria, still posessed by the glow of the sudden and initial revelation. She looks to me for camaraderie in this, our glorious moment, and at times I struggle to match her enthusiasm. It's an ironic shame, really, that our life together should begin with a campaign of lying, secrecy, subterfuge, bribery and exhaustion.

But I don't want to think about any of that. I just want to focus on this amazing time in my life and the amazing person with whom I'm going to experience it. I will not talk about the proposition itself -- what I said, how I felt, when I knew -- even if I could. It's one of those things I'm keeping just for us.

Much like Dennis' treatise on representative government in the quotation above, true love is embodied by the covenant taken between two people, not the mechanical transaction that occurs beforehand.

So, thank you, one and all, for your warm sentiments and gestures. We really do appreciate everything. We'll let you know if there are any more details you need. And when we do, we'll expect a prompt "congratulations." That's just how the dance goes.
penfield: Dogs playing poker (Default)
"Society is a masked ball, where every one hides his real character, and reveals it by hiding"
- Ralph Waldo Emerson


Today I attended a business meeting on social media. An internationally renowned communications company invited me and a work colleague to have a chat about the power of social media and how it can help us achieve our business and public policy objectives.

The discussion was all about thinking of the Internet in general (and social media, in particular) as not so much a tool but a collection of communities. By harnessing and building these communities, so the thinking goes, we can establish ourselves as a leader on our public policy issues. Or maybe it was building and then harnessing. Possibly it would be necessary to build a harness. To tell you the truth I kind of zoned out there, briefly.

The point is -- and I knew this before I even got in the meeting room -- that social media constitutes the new paradigm. I had already mastered blogging, but the ethos of blogging is practically unipolar. The fully actualized citizen must graduate to more interactive and communal enterprises. Facebook, YouTube, Twitter ... these are today's telephony.

I had good reasons for avoiding these places (bad prior experiences, techno-agoraphobia, social malaise) and bad reasons (knee-jerk contrarianism, crippling insecurity, fear of commitment). Maybe I was just being a reactionary blowhard about it.

Sometimes, when a person is loathe to be the last person to laugh at a joke, they pretend they don't get it.

But Facebook is starting to remind me of the cell phone craze earlier in this decade. I was initially reluctant to embrace the concept of a mobile phone, philosophically convinced that it would be an electronic tether to a cruel and intrusive world, precluding my precious solitude. Eventually I realized that I was being stupid, and now I can call someone when I get lost.

So I guess it's about time I "Faced" up. I can no longer avoid the implications for my profession, which demands facility with social networking technology. And despite my own personal magnetism, I can no longer afford to be out of the loop with friends and family -- not when I find myself hearing second-hand about engagements, expectancies and nonfat mocha soy lattes.

And in three weeks, I won't be updating this page daily anymore. So I might as well give you kind readers another way to keep track of me.

So, as of now, you can find me on Facebook. Which means one of two things will happen: Facebook will go the way of Friendster, and everyone will migrate to something new, probably called "Squaggle" or "Chubbster" or something; or it will consume my life, connecting me to all people and places in such a way that I will become one with the universe, in which case I can give up my cell phone.

Headrush

Dec. 7th, 2008 03:49 pm
penfield: Dogs playing poker (Default)
"Men profess to be lovers of music, but for the most part they give no evidence in their opinions and lives that they have heard it."
- Henry David Thoreau


Way back in my junior high school days, I had a Walkman -- one of those ubiquitous brick-sized personal stereos -- and I would listen to music on my school bus ride home. My dad once chastised me for this practice, suggesting that I was being "anti-social." It was a reasonable suggestion; I didn't have many friends and he must have assumed that I would be more popular if I simply participated in the highly socratic dialogue so typical of junior high school buses. It would have done no good to explain to him that I was channeling my hormonal angst into an appreciation of the Phil Collins catalogue.

I sometimes think of that exchange when I put my headphones on for each segment of my daily commute. Living in the Washington D.C. area generally means a lot of walking and a lot of train rides. For these journeys, I almost always carry with me my trusty mp3 player.

I call it "my mp3 player" because it's not an iPod or a Zune. I don't have hundreds of gigabytes of storage or hi-fi video capability or access to mobile applications. Officially it is a SanDisk Sansa Clip with a lean 2 GB of storage and a startling lack of cachet, but I just call it "my mp3 player". And compared to the sleek iPod, it looks like a soviet-era transistor radio.

It might seem like I'm being a bit of a contrarian, making a point of spurning the iPod and all its market-leading appeal. There's probably something to that; I do mildly resent Apple's whole hipper-than-thou marketing campaign -- which I rationally understand is the point of any marketing campaign but still strikes me as unbecomingly arrogant.

But it more likely stems from my early adoption of the mp3 format. Back in the early 'aughts, when Napster was still an illicit phenomenon and the Mac was the ugly stepchild of the personal computing industry, I bought my first mp3 player: it offered 56 megabytes of flash memory, enough for maybe 15 songs, weighed as much as a dictionary and was made by some miscellaneous Korean conglomerate. But it was a revelation compared to my Sony Discman; I could fit it in my pocket, go jogging with it, accidentally drop it on the ground ... and it just kept on playing.

In the following years I would upgrade to a 128 MB player, then 500 MB, then a 1 GB player, then my current 2 GB player. I became a devotee of the sturdy flash-memory simplicity and the romantic brandlessness of these runner-up companies. While I was evolving, the iPod exploded onto the scene with its high-capacity hard-drive and slick design. And at one point, I did try out an iPod mini, but became frustrated by its archetecture and interface and could not justify the price premium on "coolness".

I think I get enough coolness, anyway. Something really cool happened last week on my way out of the Metro and toward the Pentagon City mall. I had my headphones on as usual, and I was listening to the last three minutes of Death Cab for Cutie's "What Sarah Said," an extended coda that winds gently toward a crescendo and then fades away. It's a very pretty song.

Just as the rolling piano chords started climbing, I turned the corner and came upon a busking tenor saxophonist. Normally he would be playing holiday standards like "Jingle Bells" or "Ave Maria," but at that moment he was simply playing an improvisational jazz riff, a complex little melody that filled the corridor and seeped past my headphones.

And it was in the exact same key and in the exact same rhythm as the song on my headphones. Not a single note was out of place. It was so beautiful, I couldn't catch my breath.

It felt like a perfect moment -- a fleeting, transcendent sensory experience. It was like a three-minute concert that existed, however briefly, just for me. It was so cool.

See, Dad? Sometimes, anti-social-ism has its merits.

AM/PM

Dec. 4th, 2008 02:55 pm
penfield: Dogs playing poker (Default)
"The bed is a bundle of paradoxes: we go to it with reluctance, yet we quit it with regret; we make up our minds every night to leave it early, but we make up our bodies every morning to keep it late."
- Charles Caleb Colton


What does it mean to be a "morning person" or a "night person"? Does a person have to be one or the other?

I could be considered a night person, since I tend not to go to bed until near midnight. I am generally awake and alert well until the time I decide to hit the sack. In fact, I usually have to drag myself to bed rather than watch a half-hour more of TV, or read another chapter of a book, or play one more game of Madden football on my PlayStation.

But the term "night person" carries the implication the the person likes the nightlife, likes to boogie, etc. As a rule, I dislike the nightlife, disdain nightspots and detest nightclubs. It is not a social time of the day for me, but rather a time for relaxation and reflection.

So maybe I'm a morning person. I normally have no problem getting up when my alarm goes off; I see it as a matter of will rather than a matter of physical fortitude. And once I'm up, I'm up. My morning routine of shower-shave-breakfast-toothbrush-dress-depart, once activated, is unstoppable.

But then again, "morning person" connotes someone who is naturally very cheery and chipper in the morning, which I am not. I am rarely very happy to get out of bed and start my day. I like sleep just as much as the next person. I just can't escape the inevitability of the day, and I figure that I might as well just get on with it.

In fact, I often have to bribe myself with the thought that if I just get up in the morning and go to work, I can go back to sleep as soon as I get home. Of course, this never happens, because once I'm home at the end of the day, I want to stay up.

The end result is that I'm never particularly well-rested and I'm never particularly chipper. I think that I could pull off a siesta somewhere around 2:30 in the afternoon, but I suspect my boss might have an objection to that. He seems to rise early and turn in late, too.
penfield: Dogs playing poker (Default)
"Christmas gift suggestions:
To your enemy, forgiveness.
To an opponent, tolerance.
To a friend, your heart.
To a customer, service.
To all, charity.
To every child, a good example.
To yourself, respect."
- Oren Arnold


Every year around this time, my office participates in the tired tradition of "Secret Santa," in which a person pulls a colleague's name out of a hat and then spends between $20 and $25 on a gift for that person. Then, at the holiday party, each person opens their present and tries to guess who the purchaser was. The object is to purchase a gift that is distinctively tailored to the recipient, while presenting it in a sneaky-clever sort of way so that the recipient has to guess who the sneaky-clever gift-giving bastard might be. It's like crossing Christmas with a police lineup.

And of course, it usually results in gifts that are either utterly meaningless (gift cards, checkout-line afterthoughts) or utterly useless (commemorative Baltimore Orioles foam finger, miniature concrete gargoyle typing on a laptop).


Several years ago, I actually received this item as a
Secret Santa gift (slightly larger picture here),
presumably because ... well, I have no idea. Because
I worked at a computer? It took the strength of every
muscle in my face to keep this phony smile from curling
into a disappointed snarl.


Yes, I know, the holiday season is not about receiving gifts. But it's not about being miserable, either.

A few years ago, probably because of such holiday miscarriages, it was decided that we should just write down the specific items we wanted on the slips with our names. Not only did this make it virtually impossible to guess who your Secret Santa was, it obviated the entire "Secret Santa" conceit; if you're going to say exactly what you want and buy someone else exactly what they want, why not just cut out the middle man and buy yourself what you want?

It did, however, lead to a less hostile post-holiday-party environment.

I tired of the practice long ago, thinking it hollow, indulgent and wasteful. But it wasn't until now that I had the opportunity to actively subvert it.

In a mass-e-mail to my work colleagues today, I suggested that in lieu of Secret Santa this year, we donate our $20-$25 to the charity of our choice -- under the rationalization that the current economic morass is severely hurting charitable organizations that depend on donations.

Of course, no one in my office objected to this suggestion. What asshole would deliberately deny the Girl Scouts of America or whatever in favor of a Starbucks gift card? (OK, fine, no one. But who would do so publicly?)

I know in my head and my heart that this is a good thing I've done: stamping out conspicuous consumption and helping the needy. But I still can't help but feel a little bad about it. Is it wrong that I used charity in the service of my own selfish whim?

Plus, I just removed $300 from the struggling retail economy. Maybe that's not such a bad thing, though. Maybe I can make the recession last long enough to pull the same scheme next year.
penfield: Dogs playing poker (Default)
"Any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae."
- Kurt Vonnegut


I arrived late to the party. In March of 1999, some random sophomore at the Campus Times waved the now-iconic Rolling Stones cover in front of my face and told me that Britney Spears was the future of pop music. I promptly sneered and forgot her name for the next year, as she became the most popular entertainer on the planet.

It seems impossible to imagine now that she could escape anyone's consciousness for a year. But these were the days before iTunes, YouTube and TMZ, and there was fair reason to believe that she was just another recyclable pop starlet in the vein of Tiffany or Clay Aiken. In the late 1990s and early aughts, it was difficult to actually see Spears perform unless you staked out MTV in the vain hope that they might actually show a music video.

Eventually, though, like most heterosexual males between the ages of 12 and 40, I was drawn in by her guileless combination of cheeky innuendo and wounded vulnerability, an obvious but effective evocation of the Virgin-Tease archetype. Unlike Nabakov's Lolita, who calculatedly appealed to man's cynicism, Spears was like your best friend's wayward kid sister, appealing to man's curiosity. The subtextual lust was still illicit, of course, but somehow more defensible.

This formula proved more powerful and enduring than Jessica Simpson's pure-as-the-driven-snow coquettishness, or Christina Aguilera's "hey-look-at-me-I'm-so-bad" schtick, or the "fuck-you-you'll-never-understand-me" angst of Avril Lavigne. And Spears and her handlers expertly wielded this power in the service of multimedia domination.

Her music was actually okay if you weren't listening very hard, like during cardio workouts or homeward commutes. But more conceptually, Britney Spears epitomized mindless entertainment. She was zero-sum; her image distracted us from the music, and the music distracted us from the image.

Not only was her act essentially meaningless, her meaninglessness was essential. It was like a purely superficial form of nihilism: Britney Spears became rich and famous by giving us nothing, and making us want more of it.

I don't remember what kind of critical reception Spears received for her first two albums. My memory and familiarity with the pop-tart genre are limited but I assume that her efforts were not much better or worse than that of her peers. At any rate, formal music reviews were practically irrelevant in the context of such a mass-media juggernaut. Even if a jaded music critic had been compelled to shout "Hey, you suck!" into this echo chamber of awestruck oohs and aahs, it not only would have been like trying to karate-chop a tidal wave, it would have been missing the story.

But somewhere around her "I'm a Slave 4 U" gambit, the relationship between Spears and her audience started to change. Her increasingly sexualized tone simultaneously eroded the Virgin and Tease elements of her persona. Her marginally experimental musical evolution, in which she infused bubblegum pop with more synthetic dance club conventions, alienated a cohort of her fans. The music world itself started looking for The Next Britney, training its focus on younger stars (like Animatronic Miley Cyrus and the plasticine performers of High School Musical) and more talented artists (like the vocally gifted Aguilera and the self-assured Beyonce). Spears, who had once marginalized the entire music industry, was herself professionally marginalized.

Meanwhile, the Entertainment-Industrial Complex exploded. The world learned all too quickly about her superstar excesses, her party-girl indulgences and her tabloid relationship with then-androgynous dreamboat Justin Timberlake. The seeds of a good-old-fashioned American backlash were planted.

Then, within the span of two years: Crossroads, her foray into movies, bombed; her lengthy relationship with Timberlake collapsed; her parents divorced; and September 11, 2001, fundamentally altered American life.

Add to that these facts: this is a girl who grew up dirt-poor in rural Louisiana; she posesses no better than a public high school education; her developmental childhood was fractured by Hollywood; she was forced to be the sole breadwinner for her entire family; and by 2003, the paparazzi -- emboldened and encouraged by the celebrity gossip industry -- was documenting her every single move, every day.

After all that, would it be shocking if she had an acute nervous breakdown? Should we be surprised if she retreated into drugs, alcohol and unhealthy relationships? Isn't it possible that these events triggered a serious mental illness?

But still, people hate her. Her latest album, Circus, has been met with largely negative reviews on its merits, which is entirely appropriate. But within many of these critiques is an undercurrent of personal hostility and mockery that I find distasteful. Why does she bother people so much?

Is it because she is inescapable on our television screens, Web pages and magazine covers? No, it is our guilty indulgence in these items that keep the paparazzi in business. Does anyone really believe that she wants to live her entire life in front of the cameras?

Is it because she's not a very good singer? Are we to fault her for a lack of vocal prowess despite the fact that she makes a very good living as a performer? Does anyone really believe that she doesn't work hard at what she does? (Watch her perform live before you answer.)

Is it because her personal life is such a mess? Is there anyone who didn't make regrettable mistakes in their 20s? Doesn't it seem likely that our own errors in judgment might have been even bigger with limited supervision and an unlimited budget? Who is entitled to judge a young, single mother of two?

Is it because she's too dumb? Too calculating? Too skinny? Too fat? A "bad example," whatever that is? What the hell do we want from her, and why are we asking it of a 27-year old pop star?

My guess: just as America's hopes and dreams were projected onto the inspirational but embryonic figure of Barack Obama, Britney Spears personifies America's fear and self-loathing. She is, popularly imagined, an artificial, superficial, anti-intellectual triumph of style over substance -- born of poverty, built by ambition and awash in sin. Perhaps, as Obama represents the best of what America could be, Spears represents the worst of what America is. And we hate her for it.

Just a theory. I don't know if it's true, but it's certainly not fair.

I am no more qualified to psychoanalyze her than the social pundits are, and I don't know if she really is struggling with mental illness or if she's just another poor little rich girl. But we do know that she's a human being. Don't buy her album if you don't want to. But maybe you could give her a break.
penfield: Dogs playing poker (Default)
"Always do right! This will gratify some people and astonish the rest."
– Mark Twain


My former AP English teacher once firmly informed the class, "The word 'forte,' referring to a person's strength, is pronounced 'fort,' like the structure. People who pronounce it 'for-tay' are mouth-breathing ignoramuses."

That may not be verbatim, but the tone of her voice was memorably clear. Since then, I have never forgotten that "fort" is correct and "for-tay" is not.

My trusty Merriam-Webster's Collegiate Dictionary employs a more diplomatic summary of the confusion:

usage in forte we have a word derived from French that in its "strong point" sense has no entirely satisfactory pronunciation. Usage writers have denigrated ["for-tay" and the like] because they reflect the influence of the Italian-derived "forte" [meaning "loudly"]. Their recommended pronunciation, "fort," however, does not entirely reflect French either: the French would write the word le fort and would rhyme it with English "for." So you can take your choice, knowing that someone somewhere will dislike whatever variant you choose.

So I don't know what to believe anymore.

There is an underlying principle that still bugs me, though. For the sake of argument, equivocation notwithstanding, let us assume that the "fort" pronunciation is the true and correct one. And let usacknowledge at the same time that "for-tay" remains the predominant pronunciation.

Which do you use? Do you use the "correct" pronunciation, indulging in your own intellectual superiority and sneering down your nose at the vulgus, while risking the probability that no one else will know what you are talking about? Or do you grit your teeth and knowingly use the incorrect but commonly accepted pronunciation, letting the silent shame gnaw at you like a wolf hungry for human flesh? Or do you just avoid the problem by using another word altogether, like "thing"?

I generally go with option (a), but I'm not above (b). And I'm sure I've fallen back on (c). Obviously questions, not answers, are my forte.


Would you use the 'proper' pronunciation, even if everyone else pronounced it wrong?
Yes, being right is always right.
No, it is more important to be understood than proper.
I would find some way to avoid such situations. Who wants to talk like a total nerd, anyway?
  
Free polls from Pollhost.com

penfield: Dogs playing poker (Default)
"...I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes."
- excerpt of "Molly Bloom's soliloquy" from James Joyce's Ulysses


I decided to propose marriage to my girlfriend way back in mid-September. But under our governing social customs, you can't just ask someone to marry you all willy-nilly, like you're requesting extra bread. No, you have to show that you really mean it by also offering a significant piece of jewelry -- jewelry that, by the way, must symbolize, characterize and quantify your relationship while also appealing to her unique aesthetic sensibilities.

Eagerly, I endeavored to do so. I discreetly sought counsel from a prior purchaser as well as a former recipient of such baubles, consulted online resources like BlueNile.com and aDiamondisForever.com, and surveyed various jewelry retailers to find the perfect token of my undying love.

Perhaps my decision-making was too belabored, stretching well into October. Working with a committed and interminably patient retail sales associate, I finally settled on the most beautiful ring I had seen. (Pictures and flowery description available upon request.) I was informed that four to six weeks would be required for the designer to make the ring by hand. Apparently they do not just have these gorgeous items lying around the warehouse.

This matched up almost perfectly with my target proposal date, the few days between my birthday and Thanksgiving. It would be ideal, I figured, if J. and I could make the happy announcement in the company of her extended family.

It soon became clear that the ring was not going to be ready for my birthday, but I was informed with a high level of confidence that the ring would be finished for me to pick up on the night of Tuesday, November 25 -- the night before we left for Detroit. Not perfect, but okay -- I would still have Tuesday night and all of Wednesday to give her my rhapsody.

But something happened, who knows what, that delayed the ring's release from the designer, meaning that it was going to be delivered late to the jeweler (to insert the diamond). The plan then became to finish the ring on Wednesday and send it overnight so that I would receive it on Thursday, Thanksgiving morning. Certainly not preferable, but manageable; perhaps I could do my thing before we left for her uncle's house, or even sneak away at some point before the feast.

(This also meant that I would have to concoct some kind of ruse to (a) obtain her mother's mailing address and (b) explain why I was receiving an urgent package over a holiday weekend. So I made up a story about a critical developing pension-related news story and leaving my Blackberry at work. I suppose I therefore owe a partial thank-you to the U.S. government, without whose chronic incompetence this excuse would not have been plausible.)

Then, on Wednesday afternoon, my dedicated and interminably patient retail sales associate phoned me to say that the jeweler's official selected shipping provider did not deliver overnight packages on holidays, which meant that it would have to wait until Friday morning. Annoying, because it meant a Thanksgiving spiced with marriage-related innuendo, but defensible in that the extended family was allowed a chance to give me -- in political parlance -- a thorough "vetting".

Later, on Wednesday evening, I was informed that -- whoops -- the designer had sent the item to the jeweler's corporate headquarters, rather than the jeweler's actual jeweler, which meant that it had to be overnighted from the Jeweler to the Jeweler's jeweler before the stone could be set and the ring could then be overnighted to me, on Saturday morning. Theoretically.

At this, I was starting to panic, not only because the anticipation was driving me bananas, but because we were due to leave on Sunday and if there were any more delays I was going to have to have it re-routed back to Washington D.C. Not to mention the fact that it only gave me a 24-hour window to actually propose, with earlier being better so that J. could fully celebrate the moment with her mom.

My dedicated and interminably patient retail sales associate, living up to his moniker and ensuring my lifetime brand loyalty, assured me that the package would indeed arrive before 10 a.m. on Saturday. It was basically my last best shot.

So I spent the next 36 hours sweating, suffering, tossing, turning and toiling until I could finally get up at the crack of dawn on Saturday and wait for my "blackberry" to arrive. And when it did arrive, it was everything I had hoped for (besides, you know, being on time).

And so, aided only by some private, prepared remarks, I gave J. the shiniest wake-up call ever. And she gave me the best Thanksgiving of my life. There were some tears, lots of hugs and many, many phone calls. Odyssey aside, it was practically perfect.

Except for one thing: the ring is the wrong size.

But you know, the ring itself is secondary to the "yes." There's a certain, satisfying ring to that.
penfield: Dogs playing poker (Default)
"My father used to say, 'Let them see you and not the suit. That should be secondary.'"
- Cary Grant


Just in case I had to attend a meeting on Capitol Hill today, I wore a tie and sportjacket to work. Sometimes it's nice to get all sharp-dressed; I know that I for one feel more confident and effective when I am at my most spiffy.

It's actually sort of puzzling to me that Clark Kent/Superman would take off a fine three-piece suit to fight crime in a skin-tight body stocking. Imagine the combination of heat vision and the silky-smooth savoir-faire of Armani.

That said, I've never really understood the point of the necktie. The whole idea seems symbolic of despair (like a hangman's noose) or bondage (like a leash or chain). It certainly has no comfort value, cinching our collars within millimeters of asphyxiation. Visually, the necktie is reminiscent of a limp, dangling phallus, while functionally pointing to the wearer's own genital bulge.

(There is a certain irony in this distinctively male imagery, in that such subtextually loaded fashion accessories are normally the baileywick of women, who are not only cursed with a panoply of uncomfortable accoutrements but also have such an innate awareness of the casual-to-formal spectrum that they can coordinate a distinct and precise symphony of accessories for any given instance.)

So I would not mind too much if the necktie were to go the way of the ascot. I would not be the first person to point out that our President-Elect has, on occasion, shown a disinclination toward neckties. During the primaries, in particular, his tie-less, rolled-up shirtsleeves look suggested a new paradigm for the white-collar worker.

As legend has it, President John F. Kennedy's presidency effectively destroyed the hat industry. Until the 1960s, America was a bald man's paradise, with fedoras and porkpies as far as the eye could see. But Kennedy didn't wear hats, probably because he enjoyed showing off his lustrous wavy 'do.

Obama could have that effect on neckties. There's just one thing that worries me: Iranian President and fission enthusiast Mahmoud Ahmadinejad doesn't wear a tie, either. What if Ahmadinejad's infamy has the inverse effect of popularizing ties? It will be like the 1980s all over again -- we'll be surrounded by Annie Halls and Andrew McCarthys and Alex P. Keatons from Family Ties. Ties! They even snuck ties into Must-See TV. We can't let this happen again.

Maybe the CIA can somehow get Ahmadinejad to start tight-rolling his acid-washed jeans or something. That's a fad that the American People can resist.
penfield: Dogs playing poker (Default)
"Applause is the spur of noble minds, the end and aim of weak ones."
- variously attributed to Edmund Burke and Charles Caleb Colton


As part of a weekend-long birthday celebration, J. took me to a musical at Arena Stage on Sunday night. Next to Normal is an slightly avant-garde rock musical about a family matriarch's chronic pathological psychosis. Just the kind of light entertainment fare you want before spending Thanksgiving with the family.

It was, as you might expect, a real downer, making "Hamlet" look like Disney on Ice. But it was well-staged and ably performed, overall a solid production. At the appropriate intervals, I rewarded the cast and crew with sincere applause.

But something happened at the end of the musical that troubled me, something that I've noticed is far too common these days. The crowd (of, I'd guess, 800 people) gave a standing ovation.

It's not like I'm a big theater buff or anything, but I know a little bit about stagecraft, and this was not a "Standing-O" situation. Standing ovations should be reserved for truly sublime, compelling or transcendent performances. Standing ovations are the equivalent of "Wow!" Wows are rare.

But it seems like every time I go to see a live work of drama, no matter what the scale or quality, standing ovations have become the norm. Consequently, standing ovations have become cheap. It's getting to be like standing ovations are the next sitting ovations; for audiences to show their appreciation, they're going to have to start jumping up and down.

I can think of a number of reasons why standing ovations have become so commonplace, none of them good reasons:

  • Feelings of Inferiority. Public speaking is one of humanity's most common phobias. Additional millions of people are convinced that they cannot carry a tune. Individuals with an extremely acute fear of heights may have difficulty standing on an elevated stage. So it makes sense that these hapless wannabes would have their minds blown when they see others doing with ease what they cannot do themselves. I imagine these people also applaud sunsets, airplane landings and knitting.

  • Peer Pressure. Standing ovations can be contageous, but not because we want to be like that first standing guy -- it's because we don't want to look like the asshole. Or maybe because we're standing behind the first standing guy, and we don't want to miss any action, in case one of the actors accidentally falls into the orchestra pit or something.

  • Boredom. Let's face it, sitting through a play or musical, even a good or great one, can be a little tiresome. We're talking about an entirely passive and confining experience that often lasts at least two hours. I'll bet that some of these clowns are just so excited to be able to do something, to somehow participate, that they leap to their feat at the earliest opportunity.

  • Self-aggrandizement. Other people, perhaps driven by a codependent need to please-and-be-pleased, are so eager to be in a "good crowd" that they try to make it happen. The end result is a real lovefest between the actors and the audience. "You're great!" "No, you're great." "No, you." "No, you!" I'm guessing that most of these folks are failed actors themselves.

  • Age and infirmity. Most theater patrons are old. After a two-hour musical, they are likely just making sure they can still walk, or are perhaps trying to get a head start to the restroom.


I beg my theater-going peers to toughen their standards and withhold their standing ovations for only the most deserving of performances. A fair and consistent applause standard is the only way to both ensure continued dramatic quality control and maintain the value of our accolades.

Do you see the people stand? Will you be strong and sit with me?
All of the actors on the stage will surely understand, you'll see --
If it's really, really good, you can applaud with all your heart
Otherwise keep it in your seat when the clapping starts!
penfield: Dogs playing poker (Default)
"Do I contradict myself?
Very well then I contradict myself.
(I am large, I contain multitudes.)"
- Walt Whitman


This year's birthday tally: five phone calls, three cards, one e-card, one e-mail and one toast. Thanks to everyone who remembered. And thanks to everyone who forgot, too. Hey, times are tough, folks are busy, I understand.

Birthdays have never been a whole lot of fun for me. Even when I was a kid, because my birthdays commonly fell on Thanksgiving weekend, parties were difficult to organize. When I was in college, my teetotaling nature prevented me from indulging in typical celebration. By the time I reached young adulthood, whatever reveling I was able to muster was tempered by the existential pitfalls of aging.

But I have always enjoyed the attention. I like the cards and the phone calls and the gifts, but I mostly love the idea that people are actually thinking about me. Admitting this is a little embarassing -- and a little paradoxical.

This seems to reveal a very basic contradiction in my personality. I have always deeply craved attention, but at the same time, I've always been unreasonably fussy about how I receive it.

Much of my life has been marked by activity that blatantly announces, "hey everyone, look at me!" Academic toadyism, choir-and-drama club geekery, ambitious college journalism and numerous self-indulgent Web sites. The original iteration of this journal featured the tagline, "where shameful self-loathing meets shameless self-promotion."

But then again, I find myself so guarded against flamboyance or arrogance that I am reluctant to truly market myself. Instead, I passive-agressively rely on good word-of-mouth. Which ultimately makes things worse, because when I don't feel like I'm getting enough recognition, all I can do is stew in my own anonymously righteous self-pity.

All but the very best and very worst among us are ultimately defined by our contradictions. The devoted mother who medicates herself to manage the stress and self-doubt; the embattled soldier who takes lives to save lives; the gifted writer who sacrifices reality for the imaginary.

Maybe this is my contradiction. Maybe I'm the guy who needs love and attention but is uncomfortable asking for it. One could argue that this stubborn pride is what fuels my own creativity, such as it is, because I feel like I need to be twice as funny or interesting just to make sure people keep coming back.

In that way, I'm sort of thankful that my birthday so often overlaps with Thanksgiving. For those people who simply need a little reminder, the holiday season serves as a gentle nudge. And for those who forget entirely, it serves as a reasonable excuse.
penfield: Dogs playing poker (Default)
"It is amazing what can be accomplished when nobody cares about who gets the credit."
- Robert Yates

Ghostwriting is a basic part of my job. Often I will be called upon to write essays, columns and op-eds detailing the vagaries of public policy, then sign someone else's name to them.

When I first told J. about this particular job duty, she was offended on my behalf. "They're taking credit for your work!" she said. "Doesn't that make you angry?"

Once in a while, when I'm particularly proud of something, signing it away feels like giving up my baby for adoption. But it generally doesn't bother me, for a number of reasons.

Practically, I consider it just another crummy work task. Unless you are self-employed, every task involves some measure of indignity, because you're doing something that someone else ought to be able to do themselves if they'd just try -- whether it's giving you stitches, or scanning your groceries, or growing your corn.

Honestly, I think I'm a better writer than most of the people I write for, anyway. So, rather than letting them draft something and having to edit it, or worse, letting them draft something without me looking at it first, is just bad for the company. It sounds paradoxical, but this system actually makes me feel like I'm in control.

Realistically, no one reads these stupid articles anyway, unless they're truly desperate for reading material that will negate their consciousness.

And actually, I get quite enough attention these days from relentless reporters, who keep asking if they can quote me on this or that, practically begging me to screw up and say something halfway interesting. I am quite content to stay in the background and let my words do all the work. There's a reason my name isn't on this journal anywhere.
penfield: Dogs playing poker (Default)
"The autumn leaves are falling like rain.
Although my neighbors are all barbarians,
And you, you are a thousand miles away,
There are always two cups at my table."
- Unknown Author, T'ang Dynasty


It was another cold one today. I tried to get away without a hat this morning, and by the time I arrived at work my ears felt like ice cubes. It seems like just last week I was sweating through my sportcoat. Now, suddenly, I'm in an Ingmar Bergman film.

Autumn has always been my favorite season, what with the crisp weather and Empire apples and all the pretty leaves on all the pretty trees. (And buildings.)


Selected ivy at my alma mater, circa mid-October.
(Bachelor's degree sold separately)


I didn't grow up in New England or anything, where autumn is revered as if it's the rapture. But Western New York can be very pretty in its own right, as if treating the area to a romantic six-week getaway to make up for the subsequent five months of soul-pulverizing desolation.

It seemed like a logical assumption that the Washington D.C. area would provide similar natural beauty, if anything perhaps with more equitable distribution of the seasons.

But I'm starting to realize that autumn in D.C. kind of sucks. It lasts about three minutes, area produce seems to shift directly from peaches to pumpkins, and the trees shed their green leaves as if it were prom night.

I miss real autumn, when a person could follow up a leisurely walk with a romantic cuddle rather than hypothermia treatment. But I suppose it's a fair enough trade-off in exchange for a forebearance of lake-effect snow.
penfield: Dogs playing poker (Default)
"The test of the first rate mind is the ability to hold two opposing thoughts at the same time while still retaining the ability of function."
- F. Scott Fitzgerald


Today, while on a late-mid-afternoon smoothie run, I passed by the downtown Planned Parenthood office. There was a small, silver-haired woman standing by herself just off the sidewalk, holding a rosary and singing a hymn in a soft soprano.

I've noticed groups standing vigil outside that office before, looking like an uneasy amalgam of a church picnic and an angry mob. But it was a chilly day today, not Rochester-quality frigid or anything, but cold, with the kind of crisp, dry wind that seems to poke holes through your skin. So she was there alone, her voice and talisman shivering, her spirit stoic. It was stirring, in a number of ways.

When I was in eighth grade, my first-period Social Studies teacher, Mr. Bianchi, devised an ill-conceived lesson plan on the topic of abortion. I don't remember the point he was trying to make and I can't imagine what kind of truth he was expecting to divine from callow 14-year olds, but his great idea was to separate everyone in the classroom according to their own position, "anti-abortion" and "pro-abortion," and have a debate.

As it happens, my hometown had a large and vibrant Catholic population (Mr. Bianchi, also the school football coach, was himself large, vibrant and Catholic, and as I recall not altogether bright) and was socially rather conservative. So when the 25 students split up, 23 of them were on the "anti-abortion" side of the room and I was on the other, along with "Maresh," a gentle soul whose Hindu parents had emigrated from India.The lack of sufficient seating on that side of the room forced half of the class to stand, creating the illusion of a gathering posse.

For "some" reason, Mr. Bianchi also sat on the "anti-abortion" side of the room. He then attempted to poke and prod us into a free exchange of ideas.

As a 14-year-old I was just worldly enough to understand that I was pro-choice but not nearly practiced enough to enunciate my philosophy. (I vaguely recall blabbering something about "orphanages.") As I struggled to explain myself, the exercise turned sharply prosecutorial. I remember Mr. Bianchi asking me, "what about all the mentally challenged kids out there? Should we round them up and kill them, too?", the rhetorical equivalent of a battering ram. At one point I turned to Maresh as if to ask for a little help, but he just shrugged and whispered that he thought he was on the wrong side.

Eighteen years later, I still have trouble mustering a rebuttal to the anti-abortion crowd. It isn't and has never been a lifeblood political issue for me. I'm not even sure if I think about it as a women's rights issue.

I think of it as an issue of science, based on the practical (if spiritually flimsy) supposition that a first-trimester fetus is not an independent or sentient creature. A cold and antiseptic rationalization this may be, but I find it an effective defense against an argument based mostly on heat.

I think of it as an issue of public health, under the realistic premise that a world without legal abortions would be a world with thousands of illicit, unsanctioned and dangerous abortions -- and thousands of avoidable deaths.

And I think of a personal experience, a few short years after that Social Studies class, sitting on my girlfriend's bed and waiting for the pregnancy test to come back negative. We were fortunate (although that seems a weird way to put it), in that a teen pregnancy might well have ruined at least two promising futures.

But even as I sat on that bed, seriously mulling the unsavory alternatives, I thought about the idea of that child, part-me and part-her, and the whole beautiful humanity of it all. And that same instinct, writ large, is at the heart of a notion I can't escape: It is hard to reconcile the idea that any country, much less this one, tolerates the killing of an unborn child.

It is difficult for me to imagine either side, each so thoroughly and profoundly invested in the righteousness of their cause, ever ceding the moral high ground and coming around to the other's way of thinking. It is a fight without a compromise, solution or attrition.

Today, at the corner 16th and L Streets, I saw soldiers on the front lines of that battle. That standoff stirred me morally, emotionally and intellectually. And it made me so proud of this country, which extends freedom of protest to all philosophies.

Pro-life, pro-choice, pro-whatever. I strive to resist labels. Life is freedom. Freedom is choice. It's all the same. I'll just imagine that that's what they're fighting for.
penfield: Dogs playing poker (Default)
"The well-meaning contention that all ideas have equal merit seems to me little different from the disastrous contention that no ideas have any merit."
- Dr. Carl Sagan


This past Sunday on 60 Minutes, prize-winning journalist Steve Kroft squandered 35 years of professional integrity by closing out his interview with President-Elect Barack Obama on mothers-in-law, puppies and college football. This five minutes of People-style puffery was an excruciatingly awkward end to what had been an otherwise illuminating segment. It bordered on fawning, and reminded me a little of this.

As if that weren't shameful enough, the bit about college football was a transparent follow-on from Obama's last-minute appearance with Chris Berman on Monday Night Football. In a perfect world, Obama's last interview before election day would have been conducted by Charlie Rose or the disembodied spirit of Tim Russert or something. In a slightly less crappy world, he would have at least been interviewed by respected sports journalist Bob Ley rather than fat-faced sports personality Chris Berman.

But apparently people genuinely care about Obama's armchair sports analysis. (I sincerely wish he had talked a little bit about pharmaceutical abuse, nationwide physical fitness or corporate welfare in the form of taxpayer-funded stadiums gift-wrapped for billionaire team owners, all of which I see as legitimate subjects for federal oversight.) But he decided to hold forth on college football. If Steve Kroft and others think enough of it to chime in, I might as speak my own opinion.

I should disclaim up front that I have little personal stake in college football, since my alma mater's football team is a charter member of the Nobody Cares Conference within the Nerdlinger Division. They would probably struggle against my old high school's squad -- and I'm referring here to the marching band.

But as an interested viewer, and the boyfriend of a major-college alumna, I oppose the institution of a college playoff. In my view, the regular season is already like a playoff. A single loss can be devestating and two losses almost assuredly cost you the chance at a title.

Everyone talks about how a college playoff system would leave no room for debate about who should be champion. Well, sort-of. There would still be plenty of room for debate about who was the best team. If a hypothetical No. 8 seed were to squeak into the playoff field with two losses and somehow beat the undefeated No. 1 seed, the No. 8 seed would be the champion and possibly even a feel-good story, but would they be regarded as the best team? Should they?

We could have a philosophical argument here about whether the whole "point" is to (a) determine a champion, (b) determine the "best team," or (c) entertain the fans with whatever happens. I don't think there's a clear-cut answer. In an ideal scenario, all three would happen at once, but this is rare. (The 2004 Boston Red Sox are a good example.) Ultimately, each observer has to make up his or her mind about what is most important. For the teams themselves, (a) is most important. For purists, (b). For provincial die-hards, (c).

Personal predilections notwithstanding, I generally favor meritocracies. The current BCS system, for all its flaws, works in that the two "best" teams usually play for the championship.

I know what you're probably saying -- does that mean you're against playoffs in all sports? Well, I couldn't care less about professional basketball or hockey; they could be having playoffs now, for all I know. Professional baseball and football have the advantage of parity (and tradition), making the playoffs as good a method as any for determining the title. The NCAA basketball tournament is perhaps the most popular playoff system, but is so large and so long (and so dependent on the mysterious seeding process) that the regular season has become practically meaningless.

As for those flaws: yes, the reliance on polls throws too much subjectivity into the mix. Enormous differences in team schedules and conference rules make for asymmetrical comparisons. The entire college athletics system is diseased with corruption and misplaced priorities. I don't know how to fix these problems, though I suspect it all comes down to money and power.

But I favor trying to resolve these known, existing problems rather than building another layer of process on top of it. To do otherwise would be like fixing the tax code by instituting a lottery.
penfield: Dogs playing poker (Default)
"A penny will hide the biggest star in the universe if you hold it close enough to your eye."
- Samuel Grafton


Ever since the global economy started to circle the bowl about two months ago, I've taken to watching CNBC during the weekday. And no, it's not just about Erin Burnett.


Her free-market appeal makes me want to laissez-faire with the "invisible hand"

CNBC is one of the few channels I can keep on my office television without drawing the fish-eye from bosses and coworkers. To the outside observer, watching CNBC is the television equivalent to reading The Economist, or having bookshelves full of leather-bound volumes. It makes me, the viewer, both feel and appear erudite, intelligent and important.

Because the whole idea of CNBC is based on the same pretentious principle that has made the Wall Street Journal such a successful brand: the idea that all news is ultimately financial news; the notion that every single thing that happens has an economic cause and an economic effect. This is a very superficial and self-involved way of looking at problems, but that doesn't mean it's untrue.

We are a capitalist society, and as you well know, the last two months have been chock-full of economic cause-and-effect. Since many of financial/business reporters and analysts necessarily adhere to established business principles, the coverage sometimes veers dangerously close to outright advocacy.

But, in this way, CNBC's reporting often paradoxically yields the most objective coverage. Because all information is examined through this prism -- "what does this mean for my money?" -- The coverage tends to be more cold-hearted and practical than hot-blooded and political, governed by facts and undistracted by personalities.

It's like a food reporter. It's a lot easier, and perhaps more useful, to report on the objective measures of a steak (i.e., the size, how hot it is) and speculate on its flavor than it is to subjectively describe how it tastes.

A lot of news outlets focus on flavor. For example, if you care about things like rights -- not just human rights, worker rights, civil rights, etc., but what is Right and who is Wrong -- CNBC is not the station for you. Tune in to CNN. "Rights" do not exist in the business universe any more than they exist in the animal kingdom. CNBC and the financial world are about survival.

The general survival of the American economy has a direct impact on my employment, increasingly on a day-to-day level. And I can't help but watch as the sky falls. CNBC specializes in this kind of meteorology. But it's not just the suits and CEOs that are freaking out. The financial panic is infecting everyone, including friends and family.

Everyone, it seems, except all the goddamn people at my local shopping mall. J. and I went out this weekend and happened into the Fashion Centre at Pentagon City, four floors of unrelenting retail. I swear, we could not move three feet in any direction without bumping into a shopper and/or their bulging Nordstrom bags. Macy's was mobbed; The Gap appeared to have been filled-in; The Victoria's Secret checkout line looked like a queue for Oprah tickets. Recession, my ass.

I realize that "flagging consumer confidence" is just one supposed aspect of our current economic quagmire, and the real challenge rests in stimulating big-ticket purchases like homes, cars and vacations. And maybe my anecdotal observation is isolated to the local economy. It could simply be that everyone was at the mall because there were no decent movies playing and all the college football games were lousy.

But one of the few upsides to the current economy was going to be an easier walk through the mall. So much for my sterling silver lining. Everyone is saying that this holiday season will be a bloodbath for retailers, but based on my half-hour adventure this weekend, it sounds like maybe it won't be as bloody as everyone says.

Either way, my guess is that we won't see a lot of complaints about signs like this:

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